Albert Camus Essay Example for Free

Albert Camus EssayHow Aschenbach and Meursault in stopping point in Venice and The funny respectively, are driven by brainpower initially then change to being driven by the heart as the result of a key event In twain The Stranger and Death in Venice, the characters change as the book progresses. There is mainly one action that sparks this drastic change. In The Stranger, this action is the murder of Raymonds mistress brother, and in Death in Venice this critical moment occurs when Aschenbach has the sudden chirk up to travel. Aschenbach and Meursault are both characters that move from one entire to the other. They begin as characters who make decisions based only if on what their mind tells them. As the novel develops, these characters move to the other extreme, which is making decisions based solely on what their heart tells them. This transition from extreme logical thinking to extreme emotional thinking is what leads to the downfall of both Aschenbach and Meursault. As the novel begins, Thomas Mann introduces Aschenbach as a fairly likable German writer.Initially the commentator sees Aschenbach as a normal character anyone can relate to. He lives a very horse barn conduct, and has never traveled before. Aschenbach is a character who is extremely involved in his work and one who organizes his full life based on how he can best achieve quality in his work. At this point in the novel Aschenbach makes all his decisions using his mind rather than his heart. While taking a stroll, Aschenbach sees a man with red bull as well as long teeth.It is this man that pushes his mind in to traveling. Aschenbach begins to change as soon as he sets his mind to travel. In his daydream regarding his hazard he envisions a landscape, a tropical swampy region under a vapor-laden sky, damp, luxuriant and preternatural it was the like the portrait of a primitive world of islands morasses and slit-laden rivers (pg 3, Mann). The symbol of Aschenbachs departure on this journey is the attribute of the beginning of his decline.It is from this point on that Aschenbach transforms from being a normal man who makes logical decisions with is brain, to one that makes decisions with his heart. As Aschenbachs journey progresses, he notices many men with red hair and long white teeth like the one that inspired him to travel. This shows the constant rapid declining of Aschenbach. His first sight of Tadzio in the hotel marks the beginning of the extreme heart-driven Aschenbach. His description of Tadzio clearly portrays his obsession. With astonishment Aschenbach observed that the boy was perfectly beautiful.His face, pale and charmingly secretive with the honey-colored hair curling around it, with its straight-sloping nose, its lovely mouth and its expression of sweet and divine earnestness recalled Greek statues of the noblest period, and, along with its extremely pure perfection of form, it was of such unique personal charm that the onlooker thought he ha d never come across anything so felicitous either in nature or in art (pg 20, Mann). Once Aschenbach begins to follow Tadzios every step, the reader notices that Aschenbach is becoming more and more indulged in Tadzios life rather than his own.His head and his heart were drunk, and his steps followed the dictates of that dark god whose pleasure it is to trample mans reason and gravitas underfoot. Even when Aschenbach learns of an epidemic, he realizes that if he dies along with Tadzio, they will be able to meet in heaven. Aschenbach loses entire control of his mind and gives in to Venice, a city, half fairy tale and half tourist trap, in whose insalubrious air the arts once rankly and voluptuously blossomed, where composers have been inspired to lulling tones of somniferous eroticism. Even when addicted the opportunity to leave Venice and escape cholera, his love for Tadzio weighs him down. Aschenbach then has fantasies about everyone else dying, and him being left alone with Tad zio. at one time it can be clearly seen that Aschenbachs passion is coming directly from the heart, and no thinking is being through on his part. This extreme obsession from Aschenbachs heart immediately leads to his downfall. He dies in his chair, and it is hours before anyone notices. Albert Camus introduces Meursault as a character people are quite taken aback by.